Rebecca Binks, account director, Clarion Communications
In the era of tablets and Twitter, it’s easy to forget what a powerful medium TV remains. It has the capacity to reach a massive audience - according to the Broadcasters’ Audience Research Board (BARB) we spend more than a day a week watching it, and furthermore, studies suggest that when used alongside other media, it improves brand performance dramatically.
Appy Days

Nicola Carroll, senior account executive, Clarion Communications
Has social media made us a lazy nation? Not only do we keep in contact these days via social networks, forums and blogs but we now also seemingly rely on apps to tell us where we are, what to eat and how to manage our busy lives.
TV’s Best Ever PR. Totally.

Howard Bowden, head of news, Clarion Communications
For the last 20 years, Edina Monsoon - you know, ‘Eddy’ in TV sitcom Absolutely Fabulous - has been the default setting in the minds of the Great British Public when it comes to picturing a PR person in all her or his glory. As comedy characters go, she was pretty good, and as a caricature for the excesses of PR-dom - particularly for anyone who doesn’t actually work in the industry - she was even better. Yes sir, no-one could top Eddy as TV’s ultimate fictional PR person. Until now.
The Final Countdown

I've been getting more and more excited - and a little bit nervous - as the London 2012 countdown reaches single figures because in just a few days I'll be starting my role as a Games Maker.
Please, Please, Please Show Me Your Portfolio

Matt Stokoe, associate director, Clarion Communications
How many times are we told by the media that it’s tough going when it comes to getting a job, especially as there are currently 2.61m* people out of work?
And The Nominations Are…

Lucy Allen (above, second left), board director, Clarion Communications
As awards season begins, it’s hard not to feel bogged down in submissions when you’re already busy with client and agency work. But winning awards is great for business, and time invested in getting those entries right is time really well spent in my book. After picking up several high profile awards last year (have I mentioned scooping PR Week’s Campaign of the Year 2011?), we’re still - eight months on - savouring our success and experiencing tangible benefits to the business.
Holidays are Coming
Pippa Brindley, senior account executive, Clarion Communications
It’s nearly July and there’s a definite sense that summer is here, more or less. The nights are lighter, the temperature’s rising and we’re starting to spend our weekends out and about in the sunshine or relaxing in beer gardens with a BBQ and a glass of Pimms. Our summer wardrobes are finally making an appearance and as people start to prepare for their long awaited summer trips away, the holiday season is definitely upon us. Sound familiar?
PR Events: Are They Worth the Money?
Kathryn Webster, account manager, Clarion Communications
It’s fair to say there’s nothing quite as stressful as an event, especially in the world of PR. From organising logistics to inviting journalists, it’s a never ending battle - and even once it’s over, we still need to secure coverage post-event to make a return on investment and please our clients.
Do You Have Time to Think?
When was the last time that you stared out of the window and let your mind wander?
Unusual Briefs Are the Norm in PR

Sean Miles, director of prototyping, Designworks
We get our share of unusual briefs here at Designworks, but we recently had one from Clarion that stood out...
One Size Doesn’t Fit All in the World of PR
Cat Cambridge, senior account executive, Clarion Communications
I started my PR career at a small agency in Reading four years ago and when I say small, I mean fairly tiny - I was one of only five. I loved my time there for many reasons: it felt like a little family, everyone always knew what everyone else was doing and best of all I gained a lot of experience very quickly.
I started my PR career at a small agency in Reading four years ago and when I say small, I mean fairly tiny - I was one of only five. I loved my time there for many reasons: it felt like a little family, everyone always knew what everyone else was doing and best of all I gained a lot of experience very quickly.
William Hague or Ferris Bueller: Who Holds the Answer to Economic Austerity?

Foreign Secretary William Hague recently declared there is only one solution to Britain's economic problems: hard work. While the same week I attended a training session in which we were told to stop rushing and think more. And that got me thinking…
Getting Started

“Gherkin? Banana?”
“Gorkana”
“Ohh, G-o-r-k-a-n-a. Er, what’s that…?”
Words that are commonplace to PR professionals are foreign territory for newcomers. And nearing the end of my work placement at Clarion, I realise that I’ve learnt a lot in a relatively short space of time. The past few weeks have been my first experience of PR and so initially I didn’t know what to expect.Reminiscent of the childhood experience of starting ‘big school’, the first day was a learning curve. In fact being shown around a new office is a bit like learning the dynamics of a high school, minus the Mean Girls vibe. I tentatively awaited my initiation but thankfully - apart from learning to use industry-standard media database Gorkana - there wasn’t one.
The 10 PR Commandments

Louisa Jarvis, account director, Clarion Communications
We take PR very seriously. You might even say religiously. So we’ve applied the famous biblical principles of good human behaviour to the life of a PR professional - to help PRs like us stay on the right side of He Who Must Be Obeyed*.
Who’s Winning Gold in the ‘Summer Sporting Event’ Sponsorship Awareness Stakes?

With the world’s biggest sporting event taking place on our doorstep shortly, most PRs will have worked on at least one activity tying their clients to ‘the games’ - but is there room for everyone, and as PRs should we be advising clients to stay away from the branding bloodbath?
The Importance of Maintaining a Work/Life Balance

Laura Jones, associate director, Clarion Communication
PR is more than a job - in fact it’s often more than a career, and can sometimes become all consuming. To work in PR you have to live it, and you have to love it - but this can sometimes leave us burning a little too much midnight oil.
Are Brands Linking with Charities for Extra PR Leverage or Does Corporate Altruism Truly Exist?

More and more brands are developing strategies involving charity link-ups as well as celebrity endorsements - and one wonders if this is because corporate altruism has hit an all time high, OR if finally we’ve reached a point where supporting a charity guarantees better media coverage. From tailors linking to support male cancer to a giant egg hunt around London to save elephants in Africa, it seems no brand is exempt.
When a Day Job Turns into a Hobby: A Wine PR's Take on Her First WSET Class

Katy Jameson, Senior Account Executive, Clarion Communications
WSET is the Wine and Spirits Education Trust - renowned throughout the Drinks trade as the school for anyone whose enjoyment or association with all things alcoholic goes beyond just drinking it.
PRs In London Need A Short Sharp Slap

Gary Freemantle, CEO, Clarion Communications
I could just leave it at that I suppose, and there'd be a few nods of general agreement. But what I'm referring to is the ‘London bubble’: walk down any central London street of an early evening and you'll find people spilling out of pubs, even on a Monday (and don't even attempt to buy a pint on a Friday). Try to book a fancy restaurant for a celebration and they can probably squeeze you in at 6pm on a Tuesday in November if you vacate the table by 6.30 AND leave a 90% deposit. Because of course London is a country within a country, an international mega-city still increasing in global popularity, fuelled by the City and by massive investment from prosperous countries around the world.
Why Ridley Scott chose to take the Transmedia path to publicity for Prometheus

James Watts, senior account director, Clarion Communications
When you're creating a prequel to a film which is over 35 years old, how do you ensure the modern generation of cinema-goers can get excited about it?
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